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Making my work is like drawing lines in wet sand with a long stick or watching the expanding ripples that mark the spot where a stone enters the water. Often it’s like walking under a vast night sky onto which I project my fantasies and fears. Abstracted elements in the landscape as well as internal spaces — memories & sense perceptions are the locus of my painting.
The simultaneity of inside and outside, the duality of human and inanimate, even the oppositional forces of above and below are distinguishing characteristics in my work. But while my concerns stem from specific relationships, ironically, it is the work’s innate ambiguity that I cherish most. I strive to make art that operates on many levels, is able to hold paradoxical meaning, and evolves just ahead of my own ability to comprehend its entirety.
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Making my work is like drawing lines in wet sand with a long stick or watching the expanding ripples that mark the spot where a stone enters the water. Often it’s like walking under a vast night sky onto which I project my fantasies and fears. Abstracted elements in the landscape as well as internal spaces — memories & sense perceptions are the locus of my painting.
The simultaneity of inside and outside, the duality of human and inanimate, even the oppositional forces of above and below are distinguishing characteristics in my work. But while my concerns stem from specific relationships, ironically, it is the work’s innate ambiguity that I cherish most. I strive to make art that operates on many levels, is able to hold paradoxical meaning, and evolves just ahead of my own ability to comprehend its entirety.
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